C.V.

Doctor of Philosophy, University of Melbourne, Australia.

Doctor of Creative Arts,  University of Technology, Sydney.

Master of Creative Arts. 

University of Wollongong, NSW Australia

Diploma of Directing. N.I.D.A. (National Institute of Dramatic Art.) Sydney

Bachelor of Creative Arts. University of Wollongong. Theatre and Poetry.

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Poetry

2022 the tossing dream, chapbook to be published by Finishing Line Press, Kentucky Dec 2022 - March 2023.

2020    Chapbook SMALL FEATHER, published by Finishing Line Press, Kentucky, USA.

2022 Old Tea, published in Beyond Words magazine, Berlin.

2020    A Little Dinner Darling, Breeze, published in Oregon Poetry Society Newsletter, April 21st, 2020.

2019    The Needleworker, DUST, Care, in TERRA INCOGNITA, Bob Hill Publishing, Oregon.

1994    Childhood Heart, Cuppa ?, Melancholia, LEAVES, Creative Writing magazine, Charles Sturt University, NSW.

1992    Reflections, WIRADJURI, Issue 2, Poetry magazine, Regional NSW.

1992    The Fall/The Dream, WIRADJURI, Issue 1, Poetry magazine, Regional NSW.

1987    I Always Thought, SCARP* magazine, Wollongong NSW.

1986    BANG!, SHHHHHH, SCARP* magazine, NSW, Australia.

* Edited by Ron Pretty, (Ron Pretty was instrumental in establishing the Poetry Australia Foundation.[3] He was awarded the NSW Premier's Award for Poetry and was made a Member of the Order of Australia for services to Australian literature in 2002).

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Poetry Awards.

2022 Kay Snow Poetry Award Honorary Mention for 'Ice Storm'.

2020 National Federation of State Poetry Societies, ROBBIE AWARD Honorary Mention for 'Behind the Shed'.

2019    Kay Snow Poetry Award for Fair Art.

2018 Kay Snow Poetry Award, honorary mention for Bush Solstice.

Artist Residencies.

2021 Dorland Mountain Arts, California.

2021 Salem Artists Association. The Poet & the Painter cards with artist Ann Altman.

2022 Dorland Mountain Arts, California.

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Academic Publishing

2019 Systems of Meaning-Making: Representation and Affect in Dance in Advertising, Dance Chronicle, 42:3, 377-381.

2018    Narrative in Performance, book, Co-Editor with Barbara Sellers-Young. Palgrave

Macmillan, London, U.K. November 2018.

Chapter, ‘Pina Bausch: Narrative, Gender and Reception’, Narrative in Performance, book, Co-Editor with Barbara Sellers-Young. Palgrave

Macmillan, London, U.K. 

2015

• ‘The Connection: Acting and Consciousness’. Article in The Western States Theatre Review. Vol. 21. 2015

2013   

• Embodied Consciousness Performance Technologies. Co-Editor with Barbara Sellers-Young. Palgrave Macmillan, London UK.

• The Performance Mirror; Self, Consciousness and Verbatim Theatre. Chapter in Reconfiguring Consciousness Performance Technologies. Palgrave Macmillan, London UK.

2010

• Theatre – Re-assessing the Sacred in Actor Training. Chapter in Performing Consciousness published by Cambridge Scholars Press.

• Post Human Interactivity on the Global Stage: The Culture of Simulation. Chapter in Performing Consciousness published by Cambridge Scholars Press.

2009   

• Director and writer, The Elephant’s Graveyard (play) produced by the Mondavi Centre for Performing Arts, Davis CA.

  •  McCutcheon, Galland, Chronister. Laboratory Management Institute: A Model for the Professional Development of Scientists. Published in the Fall 2008 edition of the Journal of Research Administration (Volume 39, Number 2).

• Awakening the Performing Body. Book, Rodopi Press, Amsterdam.

• Post Human Interactivity on the Global Stage: The Culture of

Simulation. Consciousness, Literature and the Arts. Vol. 9 No. 1 April

2006

• ‘Intuition as the Receptive Other’ chapter for ‘Technologies and Intuition’, edited by Jennifer Fisher, Montreal. Published November 2006  by YYZ Books, Montreal.

• McCutcheon and Galland. Article in PostDocket, vol.4 issue2 ‘New Institute Provides Research Leadership and Management Training For Postdoctoral scholars’.

• McCutcheon and Galland. article in Nature vol.440 Actors as Teachers.

2005    Under (Below) Standing Consciousness  chapter in ‘Consciousness Theatre Literature and the Arts’ published by Oxford Scholars Press, England. Ed. Daniel Meyer-Dinkgrafe,            

2003    To Be Possessed: The Receptive Other, Article for the International Journal of the Humanities, Published 2005. http://ijh.cgpublisher.com/product/pub.26/prod.56

2001    Theatre-Re-assessing the Sacred in Actor training. Published in Vol.2.no.2 of the international journal, Consciousness, Literature and the Arts, Editor, Daniel Meyer-Dinkgrafe.

Plays

2012   Fighting the Light, Words in Winter, Daylesford, Victoria.

2009    The Elephant’s Graveyard, produced at Mondavi Centre for performing Arts,

Davis. CA

Fighting the Light,  selected for development at in-residence workshop,

National Australia Playwrights Conference, Adelaide, South Australia. 

2003    Enter Madmen, produced at Colorado College, Colorado Springs.

GRANTS AND AWARDS

2019    Recipient of the Kay Snow Award for Poetry, Willamette Writers, Portland,

Oregon.

2013    Recipient of Graduate Research in Arts Travel Scheme (GRATS) Melbourne University 2013. $2000

Recipient of the Rod Rose Award from the International Society of Research Administrators  for outstanding article  Laboratory Management Institute: A Model for the Professional Development of Scientists. Fall 2008 edition of the Journal of Research Administration. Volume 39, Number 2.

2007    Office of Research Integrity, ORI (located within the Office of Public Health and Science within Office of the Secretary of Health and Human Services in the Department of Health and Human Services). $161,000 for the development of laboratory management training materials that will make online and face to face instruction widely available to graduate students, postdocs, faculty and other personnel. Co P.I. with Dr. John Galland, P.I. http://learning.ucdavis.edu/LabAct/

2007    Office of the Vice Chancellor for Research and Division of the Humanities, Arts & Cultural Studies Publication Assistance Fund.